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Artist Statement |
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Since I have been living in the city the paintings have literally become more crowded, but hopefully with connected and evolved characters rather than just a massed gathering. The relationship of the characters and metaphors in the space of the painting develop the significance of the composition for me while I am painting. I work in layers of oils, but rarely plan ahead, allowing the image to grow while I tell the story to myself, often repainting and coming up with new solutions and relationships. Recently I have been adding heavy amounts of galkylds to the paint, building up layer after layer of color rather than mixing. At its best it creates a better sense of transparency, which I have enjoyed using to mix the fore and background together altering the space from a concrete location to a more spiritual walk. At times the paintings seem to develop a certain trance like quality to me, due to the fact that there are so many details and sub stories to follow and visually the focal points blend and elude, specifically in Simple Act of Conjuring and Sonic Youth Review. The fabric pieces started out as very small wishes, eventually building up to the Most Delicate of Hopes series. They were easily carried and pieced together during my daily travels and are similar in my mind to Tibetan prayer flags. At this time I have begun making them into larger works, following a similar process to the paintings and being completely hand sewn they are slow to grow. They are dependent on the finding of scraps and special gifts, or the death of some special garment. I do however greatly enjoy the lightness of the small pieces. They seem small but mighty to me. Light and unraveling, they are still able to stand against the weather, survive commuting or a trip to the Laundromat. Their versatility is an undervalued survival skill.
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